10.Mar.2003

in which ravieslave pens this entry

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soundtrack to a movie in production

In which Ravieslave, as a mere girlene, is coerced into lifting her skirt for the first time.
"Thank Heavens for Little Girls" Maurice Chevalier.

In which Ravieslave first discovers the piano.
"Summertime (Schizophrenic Mother Rendition)"

In which Ravieslave declares familial war on her alcoholic father and schizophrenic mother by setting ablaze their bedroom.
Led Zeppelin "Kashmir (Instrumental 2000)".

In which Ravieslave gains local and ephemeral notoriety in the Oklahoma City Episcopal school district by performing a song written at thirteen.
Raven Floyd "Lasher".

In which Ravieslave discovers the salt of California and Pacific Ocean Sex.
Blue Oyster Cult "Burning for You".

In which Ravieslave falls into the Los Angeles gay/goth scene.
Soft Cell "Sex Dwarf".
See also: Blur "Girls and Boys".
See also: Gavin Friday "Dolls".

In which Ravieslave discovers drugs.
Jimi Hendrix "Burning of the Midnight Lamp".

In which Ravieslave moves in with her uncle during Christmas.
"O Come, O Come Emmanuel".

In which Ravieslave witnesses, while seated Indian-style on a Persian divan, her grandfather's deceased body wheeled away to the ambulance outside.
Peter Gabriel "I Grieve".

In which Ravieslave and Boothmonkey bury their surrogate father, and Boothmonkey solemnly drops his knuckles against the gray casket.
Debussy "Claire de Lune".

In which Ravieslave absconds to Dallas with her best friend for no specific reason, and spends disproportionate amounts of time with Dave Gahan's phantasm.
Depeche Mode "Halo".

In which Ravieslave is diagnosed bi-polar with polycystic ovarian syndrome.
Placebo "Special K".

In which Ravieslave professionally directs school to suck her nether regions.
Deftones "Back to School".

In which Ravieslave and Boothmonkey embark upon numerous trips to California and Las Vegas, threatening each other with intents of driving a Chevy Prism into the Hoover Dam.
Phil Collins "Groovy Kind of Love".

In which Ravieslave and her surrogate mother spend their final Christmas together.
Pink Floyd "High Hopes".

In which Ravieslave discovers her five-year crush is engaged to be married.
The Beautiful South "Don't Marry Her, Fuck Me".

In which Ravieslave skedaddles to Minnesota, loathes it, becomes an alcoholic, returns to Oklahoma City, and realizes her strongest point is certainly not mental direction.
The Pixies "The Sad Punk"

In which Ravieslave meets the Canvas and claims him as her partner in crime for life.
Echo and the Bunnymen "Nocturnal Me".

In which Ravieslave's schizophrenic mother is committed, yet again, to Saint Anthony's.
Pink Floyd "Mother".

In which Ravieslave gives birth to Slit.
VNV Nation "Firstlight".

In which Ravieslave exercises her rights as a hallucinogen addict.
Velvet Acid Christ "Slut".

In which Ravieslave and her best male friend inebriatedly pull on one another's clothes and reduce themselves to feral lust.
Recoil "Last Breath".

In which the Beast lectures Ravieslave, against his cantankerous will, on becoming human.
Bjork "Army of Me".

In which Ravieslave dutifully misconstrues her tempestuous relationships to blue-collar, street-born rebels as a reasonable facsimile of love, and later recognizes the sheer irrationality of the situations, thereby leaving the blue-collar, street-born rebels to the sullied roads.
Nine Inch Nails "The Wretched"
See also: Placebo "Taste in Men"

In which Ravieslave decides Dne is her musical comrade for life.
Disquieter "Quiet".

In which Ravieslave escapes her cerebral quandaries to the passenger-side of The Bentley in Making(tm), which is the Lincoln of FuckEyes, the 22-year-old self-proclaimed Industrialite from Southern California.
Deftones "Be Quiet and Drive (Acoustic Version)".

In which Ravieslave runs her lips over FuckEyes' flesh and thereby floats to the stratosphere of unruly infatuation.
Nitzer Ebb "Come Alive".

In which Ravieslave and Boothmonkey bury their surrogate mother.
Dineh "Rewind/Replay".

In which FuckEyes rejects Ravieslave.
Tori Amos "Blood Roses".

In which Ravieslave endeavors to assist many textual cronies in breaking from their astringing boxes.
Flickerstick "Coke".

In which Ravieslave is arrested.
System of a Down "Prison Song".

In which Ravieslave washes the modern fuck-art from her Canadian-stained bed-sheets.
Smashing Pumpkins "Soma".

In which Ravieslave perpetually fantasizes about punching Chuck Palahniuk in the mouth.
Rob Zombie "Superbeast".

In which Ravieslave becomes incensed by her own romantic naivet�.
KMFDM "Save Me".

In which Ravieslave drinks until she proclaims herself blind and is whisked away to the other side of Oklahoma City in a Porsche, hitting 120 mph on Northwest Expressway, at three in the morning New Years Day, thereby abjuring her past merely to embrace the future, finding a rather minute experience somewhat substantial.
Coldplay "Clocks".

In which Ravieslave launches Ravebot Project 2003, subtitled Move Her Emotions Like a Machine.
Die Krupps "Iron Man"

In which Ravieslave concludes this entry, thereby bringing you directly into today.
Frou Frou "Shh".

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time & machine